<span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: HelveticaNeue, 'Helvetica Neue', Arial, sans-serif; font-size: 12px; line-height: 15px; -webkit-text-size-adjust: none; ">Paul Steenhuisen (born Vancouver, Canada, 1965) is an independent composer working with a broad range of acoustic and digital media. His concert music consists of orchestral, chamber, solo, and vocal music, and often includes live electronics and soundfiles. Additionally, he creates electroacoustic, radio, and installation pieces. Steenhuisen obtained his Doctor of Musical Arts degree in composition from the University of British Columbia, where he studied with Keith Hamel. Between academic degrees, he studied with Louis Andriessen and Gilius van Bergeijk at the Royal Conservatory of Music, The Hague. While living in Amsterdam, he also worked with Michael Finnissy in Hove, England. Subsequently, he was one of ten composers selected to take part in the Cursus de Composition et Informatiques at IRCAM (Paris, 1996/97), where he had lessons with Tristan Murail. He also attended masterclasses and individual lessons with Mauricio Kagel, Helmut Lachenmann, Jean-Claude Risset, Luciano Berio, Pierre Boulez, Brian Ferneyhough, Frederic Rzewski, Magnus Lindberg, and others.</span><br><div><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: HelveticaNeue, 'Helvetica Neue', Arial, sans-serif; font-size: 12px; line-height: 15px; -webkit-text-size-adjust: none; "><br></span></div><div><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: HelveticaNeue, 'Helvetica Neue', Arial, sans-serif; font-size: 12px; line-height: 15px; -webkit-text-size-adjust: none; ">During his student years, Steenhuisen was a laureate of more than a dozen national and international awards. These include four prizes in the CBC (Canadian Broadcasting Corporation) Young Composers Competition, seven in the PROCAN/SOCAN Competition, first prize in the Vancouver New Music Composers Competition, and the Governor General of Canada Gold Medal as the outstanding student in all faculties (UBC, 1990). Music by Paul Steenhuisen was also selected for competition at the Gaudeamus Music Week. After a winter residency at the Banff Centre for the Arts, Paul Steenhuisen became Composer in Residence with the Toronto Symphony Orchestra (1998-2000, Jukka-Pekka Saraste, Music Director). At the behest of the TSO, he wrote the chamber work “Ciphering in Tongues”, and orchestral pieces “Airstream”, and “Pensacola” (a melodrama for orchestra, computer, and spatialized brass). “Pensacola” has also been performed by the Esprit Orchestra, Orchestre Symphonique de Montréal (Roberto Abbado, conductor), and the Winnipeg Symphony Orchestra (with<span class="style_1" style="color: rgb(0, 0, 0); line-height: 15px; opacity: 1; ">Alexander Mickelthwate</span>). During this time, Bramwell Tovey and the Vancouver Symphony Orchestra commissioned another orchestral piece, “Your Soul is a Bottle Full of Thirsting Salt”. <br></span></div><div><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: HelveticaNeue, 'Helvetica Neue', Arial, sans-serif; font-size: 12px; line-height: 15px; -webkit-text-size-adjust: none; "><br></span></div><div><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: HelveticaNeue, 'Helvetica Neue', Arial, sans-serif; font-size: 12px; line-height: 15px; -webkit-text-size-adjust: none; ">Wonder”, for orchestra, tape, and soprano, was commissioned by the CBC for the CBC Vancouver Radio Orchestra, and selected to represented Canada at the International Rostrum of Composers (UNESCO, Paris). It was ranked third in the world, and ascribed the honour of ‘recommended’ work, with subsequent broadcasts in twenty-five countries. As a result, the Austrian Radio Philharmonic also performed the work (Arturo Tamayo, conductor) and commissioned Bread for Sylvain Cambreling and Klangforum Wien to perform at MuzikProtokoll in Graz, Austria. “Bread” was also performed at the 2001 ISCM World Music Days in Yokohama, Japan, by the Tokyo ensemble COmeT, and at the BONK festival (Tampa, USA), where Steenhuisen was a frequent guest. In 2003, Dr. Steenhuisen was appointed Assistant Professor of Composition at the University of Alberta, where he was the founder of the Electroacoustic Research Studios (UA-EARS). He served as director of the new studios until his resignation in 2007. UA-EARS studios were created with major project funding from the Endowment Fund for the Future, the Faculty of Arts, and the Canada Foundation for Innovation. In early 2009, the University of Alberta Press published its first music text, Steenhuisen’s Sonic Mosaics: Conversations with Composers, a collection of interviews with thirty-two composers. <br></span></div>