PEANUT GALLERY - New goal of 35k!

A documentary film in post production. It's the first personal narrative doc about sibling loss.
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Molly Gandour
Email Verified
622 Facebook Friends
Film
Brooklyn, New York
United States
4 Team Members

WEEK FOUR UPDATE: 

HELP US REACH OUR NEW GOAL OF 35K!


We reached our original goal of 25k in the first five days of our campaign.  We're amazed and humbled.  With your support, we're well on our way to finishing the film! 

But do we still need more funds?  Absolutely!  We want to give Peanut Gallery the professional finish it deserves.  Every dollar will go towards making the film stronger and getting it out to the folks who need it most.  See the graphic below for details on how the funds will be used.

The Film

When Molly Gandour was 10 years old, her elder sister Aimee died of leukemia. 

Like many families, the Gandours could hardly even begin to acknowledge such an immeasurable loss. Together, and yet alone in their grief, they tried to move on with their lives.

Sixteen years later, Molly was working as a successful documentary filmmaker in New York, but she felt angry and adrift, disconnected from her own past. She realized that it was time to talk about Aimee, the sister buried in her memories, whose illness and then absence had so dramatically shaped her life. As Molly says, 

“I needed my parents to tell me about my past and I needed to prove to myself that I wasn’t crazy, that my sister’s illness and death had really happened.”

Molly returned home to Indiana in 2010 to attend family therapy with her parents — and filmed the entire experience. Peanut Gallery is the result of this emotional experiment. Along with present-day footage of therapy sessions, family dinners, and scenes around the Gandour home, it weaves together a wealth of documents from the past, including family photos, home videos of Molly and Aimee as children, entries from both sisters' childhood journals, and recorded meetings with Aimee's doctors during her illness.

Peanut Gallery offers a poignant, unflinching record of the Gandours' six-week-long effort to excavate their family's past, to understand the roles they assumed in the face of Aimee's illness and in the wake of her death, and to begin to escape from those roles. In Molly's own words,

"Our story is tragic, but not uncommon.  Peanut Gallery shows how a death inevitably reverberates through a family for many years — and how ignoring it makes it worse."

Peanut Gallery is not just about the Gandours’ story. It’s a film about loss, the many shapes grief takes, and what is truly at stake when we neglect to let ourselves mourn. 

The Impact

While Peanut Gallery is an intensely intimate film, its message could not be more universal – or necessary. Death and bereavement are an inevitable part of life, and yet we seem less equipped to cope with them than ever. As Molly observes,

“Even as we’ve gotten better and better at saving lives through medicine and technology, we’ve gotten worse and worse at facing the fact that we all must finally say goodbye to one another, and the result is a great deal of misery and unprocessed emotion.”

We want to change that.

Upon its completion, Peanut Gallery will promote much-needed dialogue and alleviate some of the suffering caused by the lack of widespread public communication about sibling loss, cancer family dynamics, and end-of-life and grief issues in general. These subjects are difficult, but they must be discussed in order to heal. As Molly says,

“As soon as I could name exactly what I had lost, I felt more free to engage with my life as it is now.”

Through educational screening kits, outreach efforts, and panel discussions, Peanut Gallery will undoubtedly serve as a resource for professionals such as thanatologists, psychologists, social workers, pediatricians, pediatric oncologists, mental health counselors, and, perhaps most importantly, the bereaved themselves. 

How You Can Help

We are in post-production now and we need your help to finish!

After four years of shooting and editing Peanut Gallery herself, Molly has produced an amazing rough cut, but we need to perfect it to maximize Peanut Gallery's impact. Your contributions will go directly to:

• hiring an editor for a polished final cut

• music licensing

• professional audio mixing and sound sweetening

• color correction and picture work

• designing film titles and visual sequences

• production and distribution deliverable media

And remember to share the campaign with friends, family, and colleagues who may be interested! Together, we can honor our loved ones, end the silence surrounding grief, and build a community of support.

Find This Campaign On
$32,450USD
raised by 299 people in 30 days
130% funded
No time left
$25,000 USD goal
Flexible Funding This campaign has ended and will receive all funds raised.
Campaign Closed
This campaign ended on July 14, 2014
In partnership with
Select a Perk
  • $10USD
    SHOUT OUT

    Social media shout out and exclusive updates on the film.

    15 claimed
  • $20USD
    POSTCARD

    Peanut Gallery postcard, sent with love from us to you! Plus web credit.

    0 claimed
  • $25USD
    WEB CREDIT

    Your name listed on our website. Plus the above perk.

    41 claimed
  • $50USD
    FILM CREDIT

    Your name listed in the credits of the film. Plus the above perks.

    73 claimed
  • SOLD OUT

    $100USD
    THE LONG GOODBYE

    The Long Goodbye, by Meghan O'Rourke. An incredible memoir about losing a mother. "Most moving book of 2011" —O, The Oprah Magazine. http://meghanorourke.net/

    10 out of 10 claimed
  • SOLD OUT

    $100USD
    HER

    Her, by Christa Parravani. An intense memoir of losing an identical twin. Wall Street Journal Favorite Books of the Year 2013. http://www.christaparravani.com/her.html

    3 out of 3 claimed
    Estimated delivery: August 2014
  • SOLD OUT

    $100USD
    THE EMPTY ROOM

    The Empty Room, by Elizabeth DeVita-Raeburn. A fascinating exploration of sibling loss. Part memoir, part journalism. http://www.devitaraeburn.com/

    10 out of 10 claimed
    Estimated delivery: August 2014
  • SOLD OUT

    $100USD
    THE BEST CARE POSSIBLE

    A signed copy of the book The Best Care Possible, by Ira Byock. A good read and a valuable resource for people interested in improving care through the end of life. http://www.irabyock.org/ Plus web credit, film credit and shout out.

    2 out of 2 claimed
    Estimated delivery: August 2014
  • $100USD
    AMERICAN AFTERLIFE

    A signed copy of the book American Afterlife: Encounters in the Customs of Mourning, by Kate Sweeney. An insightful tour of death rituals in a culture where discussing such things is practically taboo. http://www.americanafterlifebook.com/ Plus web credit, film credit, and shout out.

    1 out of 3 claimed
    Estimated delivery: August 2014
  • SOLD OUT

    $100USD
    HER

    A copy of the book Her, by Christa Parravani. An intense memoir of losing an identical twin. Wall Street Journal Favorite Books of the Year 2013. http://www.christaparravani.com/her.html Plus web credit, film credit, and shout out.

    5 out of 5 claimed
    Estimated delivery: August 2014
  • $250USD
    THANK YOU CARD

    Handwritten thank you card from the filmmakers. Plus web credit and film credit.

    11 claimed
    Estimated delivery: August 2014
  • SOLD OUT

    $250USD
    MY DAKOTA

    My Dakota, by Rebecca Norris Webb. A gorgeous photographic elegy to from a bereaved sister to her brother. http://lens.blogs.nytimes.com/2012/06/21/grieving-a-loss-with-prairie-and-poetry/?_php=true&_type=blogs&_r=0

    2 out of 2 claimed
  • $350USD
    SKYPE WITH FILMMAKERS

    Not based in New York? Skype with the filmmakers from anywhere.

    2 claimed
  • $500USD
    POSTER

    Peanut Gallery poster, when available (by summer 2015). Plus web credit and film credit.

    1 claimed
    Estimated delivery: September 2014
  • $1,000USD
    PRIVATE SCREENING

    Invitation to a screening of the rough cut in New York (must be located in NY or pay your own travel).

    1 claimed
  • $1,500USD
    PREMIERE

    Ticket to Peanut Gallery premiere, wherever and whenever it happens!!!! You must pay your own travel. Plus web credit and film credit.

    0 out of 2 claimed
  • $2,500USD
    DINNER WITH FILMMAKERS

    Dinner with the filmmakers in New York (must be located in NY or pay your own travel).

    0 claimed
  • $5,000USD
    ASSOCIATE PRODUCER

    Associate Producer credit on the film.

    0 claimed
  • $10,000USD
    EXECUTIVE PRODUCER

    Executive Producer credit on the film.

    0 claimed
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