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Elena on the ground.
After being shot down, Elena (Nikki Meauvais) contemplates her next move.
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Elena hides out.
Elena ducks into a cave to avoid the enemy.
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Alexandra on the ground.
Shot down in the same day, Alexandra (Katherine Joan Taylor) wills herself to keep going.
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(4 of 30)
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Alex accepts her fate
Alexandra meets her fate head on like the warrior she is.
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(5 of 30)
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Elena confronts Alex.
Elena knows she has to stop Alexandra. But can she do it?
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(6 of 30)
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Happier times.
Before the war, Elena and Alex were lovers.
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(7 of 30)
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Bear screams in defiance
Bear (Trevor Hawkes) screams in defiance as his column engages The Beast.
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(8 of 30)
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Jinx takes aim
Jinx (Dani Eilander) lines up a shot.
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(9 of 30)
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Praetoria under attack
Elena's homeland of Praetoria is bombed into ruin by Red air raids.
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(10 of 30)
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Praetoria in ruins
After the attacks, there's very little left of Elena's city-state.
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(11 of 30)
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The Beast arrives
An AI-controlled war machine called The Beast is unleashed on the battlefield. The Beast goes rogue and turns against both sides.
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(12 of 30)
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Armageddon
The Beast initiates a nuclear launch between the two warring nations.
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(13 of 30)
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Alpha concept 01
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(14 of 30)
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Alpha concept 2
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(15 of 30)
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Alpha Concept 3
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(16 of 30)
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Alpha concept 4
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(17 of 30)
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Alpha Concept 5
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(18 of 30)
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Alpha Concept 6
In the story, our pilots fly robotic war machines called alphas. Here is the concept for one of the models.
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(19 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(20 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(21 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(22 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(23 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(24 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(25 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(26 of 30)
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Red One Camera Test
We shot a few test clips to see how our costumes would work with the Red resolution and colorspace. It also gave our DP a chance to get familiar with the workflow.
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(27 of 30)
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(28 of 30)
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