My name is Alan Weischedel and Im a writer/filmmaker/actor living in Los Angeles originally from Lebanon, Oregon. I have just completed filming a project called The Boyfriend. Its a tale of disillusion and loneliness.

Synopsis

Eddie loves Anna. Eddie adores Anna. Eddie thinks Anna is the one. Eddie buys Anna gifts. Eddie thinks Anna will be a great dancer someday. Eddies mother is happy that he has found someone. ..


Anna has never met Eddie.

 

Directors Statement

The film is based on a true incident an actress told me had happened to her. After she had finished performing in a play she came out into the house to meet her parents and found a 30 year old native Kenyan man sitting with them who she had never seen before. She found out that this man was posing as her boyfriend and had been talking to her mom and dad as if they were dating for a while. The other events from the film come from other research I had done on stalkers and some out of my own invention. The idea was to create a character that has honest and true desires. That desire is to be in a loving relationship.


The style of the film is directly influenced by the Neo-realism genre. Films like Chop Shop, Keane, Le Fils (The Son), and Elephant. The idea was to capture the events as a reality as opposed to a thriller, giving the events more credence and weight. By choosing to do this I believe the story that we present evokes more sadness and loneliness and disillusion. It really is a personal film. We are all told very young that we will all get married, have kids, have a good job, get an education; but as we get older we realize that in reality, many of our greatest loves in our lives dont love us back, some of us are unable to have children, some of us never get married, and many of us hate our jobs. Its a great and true sadness in our modern lives that this reality escapes some of us, even those of us who are
perfectly sane.


Production


From the very beginning it was decided to shot the film with the least amount of cuts possible. The reason behind this was to create a reality for the character to inhabit. Fewer cuts also gives the film a documentary feel. No conveniently placed cameras capturing action from a dramatic angle. The camera would itself live in the world just like the characters and the audience would then live in the world as well.  There are about 10 shots in this film that are about one minute or longer, quite a lot for a film less than 30 minutes. In one particular shot as the camera was pulling back the sound guy was on the floor and had to roll out of the way and get out of the field of view of the camera. Needless to say, this scene was shot many times.

 

We shot on a shoestring budget. Stealing locations where we could, borrowing equipment from fellow filmmakers, and literally paying people in coffee. Many of the deep background extras in the theater scene were actually children from a theater camp that were having class upstairs.

 

We need your help

We are heading into the final stages of post-production and most of the film is complete. Weve done everything that we can on our own with almost no budget at all but now we are in a place where we have to spend some money. We could submit to one or two festival on our own but thats all we could afford. We would like to submit to as many as we can so that we could get this film to an audience. And to do that we need your help. We need your help to raise money for film festival fees, DVD production, and promotional material (the later two help out with the first one).  So please donate what you can every bit helps. The more money we raise the more people get to watch our film. Thanks for your time.

 

Cast

Alan Weischedel

Julianna Piechovski

Fredrick Ponzlov

Lynda Berg

Greg Hutto

Stephen McCain

Alexa James

Amanda Ashley

Tony Dang

Jonathan Holborn

Kristin Ige

Crew

Writer & Director...Alan Weischedel

Director of PhotographyWhitney Houser & Tony Dang

Editor..Steve Hauber

Sound and MusicKevin Keller

Visual EffectsJace Sparks

Casting...Julianna Piechovski

Created By
Alan Weischedel
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